Abstract
Sang Hyang Dedari Dance in religious ceremonies is not only aimed vertically to Sang Hyang Widhi, but also bearing horizontal objectives, to sustain stable structure in Bali society. This study aims to describe the layers of the society, so it can be understood critically what is meant by women of Bali—that the multicultural discourse, indigenous women celebrate the customs and traditions as an act against the root of patriarchy. Yet there is always a need to reexamine the roots. Root is not absolute, and a single tone, but rhizomes that question the hegemony of the hierarchy in winning gender equality against patriarchal subordination.References
Gilles Deleuze dan Felix Guatarri, A Thousand Plateaus, University of Minnesota Press, USA, 1987.
Gilles Deleuze dan Felix Guattari, Anti-Oedipus, Continuum, USA, 2004.
I Nyoman Darma Putra, Wanita Bali Tempo Doeleo, Pustaka Larasan, Bali, 2007
Oka Rusmini, Tarian Bumi, Gramedia, Jakarta, 2013.
Toety Heraty, Calon Arang, Kisah Perempuan Korban Patriarki, Prosa Lirik, Buku Obor, Jakarta, 2012 .
(ed) Lowe, Michaels, dan Solomon, Twenty Questions, An Introduction to Philosophy, Harcourt Brace Jovanovich Publisher, USA, 1988.
(Ed) Adrian Vickers, Bali Tempo Doeloe, Komunitas Bambu, Depok, 2012.
Sumber Data Penelitian
Laporan Akhir Hibah Riset Awal FIB UI Tahun 2014: “Aspek Sakral dan Sihir Dalam Tarian Sang Hyang Dedari: Suatu Analisa Fenomenologis Mengenai Tubuh Di Dalam Tarian”
Peneliti: Dr. LG. Saraswati Putri, Praychitta Utami, M.Hum dan Genta Tenri Mawangi.
Sumber Visual & Dokumenter
Film dokumenter Bitter Honey, karya arahan sutradara Robert Lamelson, Elemental
Production, berdurasi 81 menit diproduksi pada tahun 2014